You have to coax them like you would someone who can’t communicate. The last thing you can possibly do is forcibly get them to follow you. When someone starts to stray or you lose someone or they’re running from you for whatever reason in their life, they need to go. The only way you get there is by being humble. Literally blind faith, like what’s going to happen? Just please trust in me. I think that after doing this show and having absolutely nothing and then …trying to get all of these people to rally and come to my aid to create something that they didn’t have a single inkling of what I was doing, it’s a faith maneuver. You’re appeasing the masses and creating something amazing if you can do it. When you become the President of the United States, if you officially take the biggest job in the world and you work for the most amount of people, and you’re now all of a sudden an employee…your position shifts tremendously.īecause now you’re working for everyone and humbleness is only the beginning of what you need to do…because it’s a job, right? It’s not your thing anymore. It occurred to me that it was about being humble, and that when you have your own show or own business or own thing going…when you’re your own monster… there’s a part of you that is very empowered when you are able to do what you want and call the shots. Just recently I spoke about this very topic and please forgive me if it’s not palatable to everybody, but I was thinking, why was Donald Trump so successful on The Apprentice? And then have had such a disaster in office. Can you expand on what that means to you given the state of the nation at this very moment?Įlaine Culotti: That’s a great question. Monsters & Critics: The premise that Glenn Stearns set forth on this series was that the American dream is still alive. Monsters & Critics spoke to Elaine Culotti ahead of this week’s episode and learned a lot about how to look at COVID-19, opportunity and deep down grit. Quality of life and beauty are two very important values Culotti holds dear. A military kid, she learned what was esthetically desirable in home goods and created a textile and import business stateside that blossomed into a design company, which then blew up into a real estate empire and eventually owning a working farm. The goals and gains are more than just an accountant’s bottom line but also the existential wealth that comes with providing good jobs, and dynamic energy to a depressed neighborhood that needs a jolt and fresh eyes.Ĭulotti’s path to becoming a billionaire is a testament to keeping true to your inner voice and vision. Make no mistake, Elaine Culotti is a dynamic player in this experiment to test the American entrepreneurial drive. With just $100 in their pockets, they will find out if they can start a business and grow it up to $1 million in just 90 days. In an expanded format from season one, instead of just one man, these three billionaires are all undercover in three separate locations in this second season to see if the American dream is still alive and well and going to survive the COVID-19 financial fallout and all the political divisiveness. And with the Shepherd’s Inn of Fresno, her big picture idea is nothing short of amazing, especially for struggling Fresno business owner Russell Stone, who has shuttered his restaurant and inn. She has observed, and processed the fix to still be in the food game. This is now her secret superpower as she has a vision to workaround the COVID-19 restrictions being exacted upon restaurants in California. The premise was established by last season’s Glenn Stearns and has since expanded to three moguls in three separate cities, each stripped of their resources and expected to make a viable business in short order.Įlaine Culotti is a petite force of nature who came up as a military kid, living in Europe and learning fast to get in with the in crowd and make friends fast. Making a move from the mothership of Discovery to the new streaming arm, discovery+, this week’s latest episode of Undercover Billionaire, now in season two, features the progress of one of three billionaires the shows’ producers have taken into the fold.
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